Magazine Illustration - disaster
I began by photographing a still life scene that I set up and I wanted to avoid traditional scenarios that include ornaments, fruit and vases. I photographed a few items from my mantelpiece including a model ship. I had an idea that the ship would be ideal for the DISASTER theme, depending on the angle I tilted it at.
I toyed with different ideas with the ship. I photographed it from many different angles pondering on how this idea would work with the words DISASTER, then also DISCOVERY AND LOST.
The word DISASTER appealed to me and I decided that it might work the best, especially if I distorted the ship.
Soon my thumbnails took shape and it seemed the idea wasn't great because of two issues - the ship seemed to consume the whole picture due to its intricacy, and the still life aspect became insignificant. In some thumbnails the ship became unidentifiable. I realised that the ship probably has too much structure for the DISASTER theme. I abandoned the idea.
I needed many different lines at odd angles to convey chaos and confusion and so, started toying with little plastic children's toy cars and emptied a toybox to create a bogus road accident in the last thumbnail on the top right,
This is the thumbnail that got me started and these are the photographs that I used to inspire me to find the right angles in the pictures of kids toys that I took:
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I chose to draw this photo first but did not think the perspective worked. |
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I chose this drawing as a second option with the book in the background. |
I spent time organising the still life for the most disastrous effect and even introduced a doll to the picture for a more calamitous feel.
I chose to sketch a few scenes:
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I chose to expand on this objective drawing above initially and then changed my mind as I thought the floor was overly distorted. Looking back I would have stayed with this drawing.
This is my tonal drawing above of the scene I chose. I used pen, charcoal and pencil.
I added colour to this drawing after tracing it.
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This is a line drawing of the car done in black permanent marker, a fine nibbed black pen and pencil. At this point I had been satisfied that the lines were chaotic enough to suggest a disaster and I wanted to develop the theme of the drawing further by adding the legs of the doll to demonstrate disaster. I was happier that the lines told more of a story than the tone. I find line more descriptive than pure tone at the moment.
This is my final developed drawing in colour. I used mixed media: crayon, charcoal, permanent marker and pencils. I'm not convinced that this is the best I could produce. The distortion in my earlier choice of image was far more relevant to this exercise and given more time I would add it to this exercise as an alternative option. This has been a teaching in itself where I have actively experienced that mistakes are necessary.
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Summative critique
My tutor's reports mention that I went with the first idea - disaster. I feel I honed in on this too much and could have referenced other artists for this magazine editorial illustration. I believe this piece lacks direction because it got 'lost' at an early point. The media used is also not experimental enough and I would have tried this in collage also and perhaps in black and white.
While I believe I distorted the image and captured an interesting angle, I would improve by looking again at other illustrator's for a more interesting direction. There are so many other ways that this could have gone.
See Mary Fedden for an example and in my learning log:
William Blake's : Book of Urizen for dramatic influence in a picture. As suggested by my tutor, but most suitable for this exercise. I should have found and looked at his work sooner. This is fantastic reference for the dramatic weight that I believe is lacking in my picture 'disaster.'
Source https://en.wikipedia.org/wiki/The_Book_of_Urizen [Accessed 13 June 2016]
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