'Toilers of the Sea' by Albert Pinkham Ryder: 1880-1885, oil on canvas.
http://accessaddison.andover.edu/media/images/Object_Images/PermanentCollection_Images/A_Painting/1920s/1928.31.jpg
[Accessed on 28 May 2012]
I had a problem understanding exactly what was required, so looked at some previous OCA illustration student blogs too. In my final artwork, the lighting doesn't make sense, the aim was for a moonlit night on the water but the sky throws it out. If I'd reversed the white sky, the sail would've disappeared. The aim of this I think is to either make the lighting work, or work with a pattern. I don't think I've achieved either but I do understand now how I would apply this differently to something else. For me this has been a definite learning curve.
Adding black cutouts from the negative photocopy to my final drawing |
Cutting out black pieces from a negative photocopy to stick onto white |
I decided on my final picture, this one, and did a drawing on a white background |
I added detail to certain scenes to see how they might work |
I did more detailed sketches for tonal areas |
I tried some landscape thumbnails for composition |
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